Consider these sophisticated ‘50s-inspired spectacles as modern remnants of post-war Paris, sleek heirlooms of those smoky, jazz filled cafes of Saint Germain des Prés where poets, philosophers, musicians, actors, singers, and students all happily comingled, unwittingly creating a boisterous epicenter of cultural nonconformity. Moderate Wellington shape with keyhole bridge; a “jazz silhouette” for smaller faces.